Awful Warning of the Perils of Divorce for Public Servants
Saturday 17th
October 1936
It was announced
that Elsie Schauffler’s play about the nineteenth century Irish nationalist
leader Charles Stewart Parnell was to be performed publicly in London at the New
Theatre after a successful run in New York. It had already been performed
privately at the Gate Theatre in April, but it had taken a battle of epic
proportions with the Lord Chamberlain to win a license for a public performance.
This ultra-conservative official of the Royal Court, who for purely historical
reasons was the legal censor of the theatre, had demanded cuts in the text.
His particular
objection was to the play’s suggestion that Parnell’s mistress, Kitty O’Shea,
continued a sexual relationship with her husband once her affair with Parnell
had begun. In the fifty years since scandal, not much had changed in British
sexual morality. Parnell had been forced from politics, when Captain O’Shea divorced his wife and
involvement with a divorcee still spelled death for most careers in public
service.
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